Illustration Friday: Mind

Oh! This topic was made for me!  So much of my art centers around my own puddle of gray matter (Puddle-centric?).  Here’s my latest art journal spread, so fresh it’s not even “journaled” yet.  The title, when I get around to lettering, will be Sometimes, They Get Out.

See more mind-boggling art here.

 

I Must Be Getting Better…

…because I have no more fucks to give.

Oddly, my bipolar and binge eating symptoms hibernated while I was sick with bronchitis, sinus and ear infections (Can my body not multi-task?  Is my brain too small to hold it all?), so the return of mixed-state depression/rage must mean the other stuff is on the way out.  Yaay (?)

While being physically sick is no fun, the vacation from mental shit-storms and out of control compulsion is heavenly.  It’s like being normal, only full of snot and really, really tired.

I’m still tired and semi-full of snot, but yesterday I rode sad anger back to bed and built a nest of portable projects around me to keep the yammering in my head at bay.

Henry and Emmett attended, but even they knew not to poke the bipolar bear who had no fucks left to give.

One of the hard things about coming back to my normal state of mental abnormality is that I’ve done so much cool art stuff these past two months.  When I could barely breathe, I read a bit in Susan Wooldridge’s Poemcrazy about collecting words, then made Word Cookies out of old art magazines.

I carry them in this little bag that fits nicely in my purse, and offer them like Fortune Cookies to whomever I’m with (which has mostly been people at the drug store, my therapist’s staff, and a few civilians willing to chance my germs).

I’ve been brave about drawing in my journal.

And I created a spread that fell together like a story.  Poor Tom Hiddleston, dumped by the harlot Taylor Swift, gave a heart-wrenching interview in February’s GQ that reminded me of Sting’s song Why Should I Cry For You?  A little research gave me details I’d missed just listening to the song, like “under the Dog Star sail,” which refers to Sirius, and “north, northwest, the Stones of Faroe,” which led me to the tiny cluster of Faroe Islands off the coast of Iceland.  I loved the metaphor of a broken-hearted sailor on the bleak, Arctic seas.  And I loved pulling together all the elements for the collage.

The wall quilt I started before I got sick is turning into a fabric collage—a place to try new skills like painting and stenciling on fabric.  Tearing apart my old art magazines for the Word Cookies, I found wonderful tips and examples.  When I gave a fuck, the possibilities thrilled me.

The materials to make three new art journals came out of my cupboard.  I finished two.  The third now languishes on my table, waiting for the fucks to come back.

The Buckaroo Banzai journal

My favorite quote from the movie by evil Emilio Lazardo.

Art by Andrea Matus DeMeng

I took a class with Andrea at ArtFest.

One week in therapy, Megan and I looked at commitment, not just making commitments to others, but also keeping promises to myself.  I realized that my longterm goal of writing a book to be published carried no joy for me anymore.  In fact, working on it was often painful.  Why was I doing this again?  So people at my funeral could get a party favor?  Morbid, bipolar-based reasoning.

I don’t have to prove myself a writer anymore, or leave something “of substance” behind.  I can spend my life pleasuring myself with weird art that practically falls out of me, instead of grunting over tortured prose.  So, I let that ancient goal go.  There are, my friend Sue tells me, only so many fucks a person can give.

Yesterday, in my Nest of Apathy and Rage, I emailed Megan, just to whine.  I knew, eventually, that the anger and depression would shift, but it was big and ugly yesterday.  Even if I had none, I wanted someone to give a fuck.

Have I mentioned that my therapist is awesome?  And funny?  She wrote back later:

I hope a fuck ton that you feel better soon. 

The Adventure Continues.

Fever Dreams & Cats in Motion

Bronchitis: End of Week 2

Things are getting weird.

But also, things are in motion.

 

Convergence

Events Conspire

Paths Converge

We may Choose to Ignore Them

But, What’s the Fun in That?

It all started with butt boils.

Take a part of the human body rich in adipose tissue, add pressure and heat (as in sitting for long periods of time), and that body part will revolt—or become revolting.  Enough on that matter.

diggingNext came a therapy session where we connected the dots between trauma and food as my drug of choice.  Since my diagnosis of Binge Eating Disorder, I’d set down my shame and guilt about being a Woman of Substance.  I’d become kinder, more accepting of my body.  But there we were, dredging up all that business, and I found myself disappearing.  My hands and feet went numb; a rushing sound filled my head; I seemed to leave my body and drift somewhere behind and above it.

Later, I learned what I’d always called this “shutting down” was technically dissociation—an altered state of consciousness that can include depersonalization, sensory and psychological numbing, disengagement, and amnesia.  Most people experience mild forms of detachment, like daydreaming while driving and losing a bit of time.  The more pathological end of the spectrum ends up Sybil-like with fragmentation of the personality.  It’s a coping mechanism—a way to keep the psyche safe when under attack, whether that attack is real or imagined.

Clearly, I had more work to do with this.  Or, as Megan reminded me, not.  I always have choices, and she is not the variety of therapist who requires excavation of Hurtful Things.

bed-rageSoon after, as I sorted my old blog posts into potential book categories, I marveled at how I once worked so very hard at controlling my eating, how I celebrated small victories and believed I made tiny changes in my behavior.  And then I always gave up, as my endgame of losing weight could never be reached.  I started to wonder if I could ever push gently against the binge eating, if I could find a way to work with it like I’d found ways to work with bipolar disorder—gently, with acceptance and kindness, while still holding the worst symptoms accountable.  I had no idea how that might look, but I opened to the possibility instead of shutting myself away from it.

On my way to Orly Avineri’s workshop in Taos, I started reading Foolsgold by Susan Wooldridge.  In her introduction she says:

I began writing these pages when I decided to make a small collage box each day for a year with what I found on my walks—often the most ordinary, seemingly worthless bits of nothing.  That’s when fool’s gold became foolsgold for me, a field around us, or state of being, where everything can be transformed by our seeing and creativity.  Merged into one word, “foolsgold” describes a paradox, the value in what may seem to be worthless.  Foolsgold reminds us to look beyond appearances, even in ourselves.  What seems to loom in us most darkly may finally be what brings the most light. Everything can be transmuted by attention, play, love.

walkabout-coverI used to walk a lot, then stopped as it wasn’t getting me to the destination I wanted.  If I had some different motivation to walk, like looking for art fodder along the way, I might be able to do it.  I let that idea sit in my hindbrain as I got my self to Taos.

One afternoon, Orly showed us a small art journal her nephew made.  An environmental crusader, all his art is made up of junk with space for sketches and ruminations.  Orly’s nephew had no concern for style, or balance, or making things look pretty.  His art was raw and powerful.  And very simple.

I can do that, I thought.  And as that realization settled in, my body demanded it.

It took a few weeks once I got home to jumpstart idea to action.  But now I have my WalkAbout journal, and every few days I set out with my big zip lock bag and find my material for the day.

hospice-walkChange, even good change, can be stressful.  My rapid cycling has been spinning like a hamster wheel.  Some days the amount of trash among the trees and berms disgusts and weakens me.  I tell myself I can’t go out among all that thoughtlessness again.  But the hamster wheel keeps spinning, and I tie on my purple trainers.  After a couple of weeks of this, I’m learning to wait for fodder to signal me—light on shiny foil, strange lumps, a flash of color in the dunny weeds.  It gets easier and easier.  As does the art that comes after.

tama-wingMy butt likes that I’m moving more.  I make my WalkAbout pages in the evening when my binge eating is most bothersome.

I’m still on an Adventure.

Sometimes, My Life Works

Like when a card comes together this perfectly.  It’s a fine note on which to end this weird year.

need-is-such-a-funny-word

An Alphabet of Gratitude

Superhero Covers

One of the things I did when I returned from ArtFest was repurpose my old, barely-used sketchbooks into art journals.  This is the one I’m in now.  It’s small (9X6), so I thought I could use it for funky lists and teeny collage bits.

It’s been a hard summer, bipolar-wise.  The rapid cycling twirls like a toddler in a tutu.  The mixed states tumble around like Bingo balls.  I’m a little dizzy from all that brain-flux.  And discouraged.

I’ve learned a lot from all these years of Bipolar Bad-Assery and Radical Acceptance.  I’m much kinder to myself and able to be whatever my brain chemistry dictates.  But some days are just God-awful.  Period.

So, I wanted to use my journal as a more deliberate form of therapy.  I decided on trying An Alphabet of Gratitude.

Gratitude P

Each spread has a side for a list of what I’m grateful for (all starting with the same letter) and a side to create some little piece of art relating to the list.  I made pretty paper out of my parent’s old farm ledgers, painted the 26 spreads funky colors and textures, then started pondering the positives in my life.

Gratitude A

There’s a lot.  We all have tons of wonderful things, people, places, talents, events that are easy to forget in this weird world.  And because I have a whole page to fill with all the same letter, some of my treasures get ridiculous and very specific, which tickles me.  Laughing is a good thing for persistent bipolarism.  Laughing is good for everything.

Gratitude B

I work on it every day, writing down random loves and appreciation.  It doesn’t take away The Black, but it does help me pull in The Light.  I can sit with that feeling of thankfulness and let it soak into my dry and sere places.  It’s enough to get me through to the next day, which is all I need.  Because with twirling and tumbling, a shift in mood is only a letter away.

Ask Already

Bipolar Mind

ψ

I forget that neuro-normals don’t always know how to bring crazy into a conversation.  I also know other folks with mental illness aren’t always as open as I am (i.e. in-your-face TMI) and have real reasons to keep their condition private.  So I grok that asking me how I am might be intimidating.  Old taboos, stigma, Midwestern Nice—for whatever reason, some folks are more comfortable asking other people how I am.

My sister told me about one mutual friend who said, “I know I’m not supposed to ask, but…”

Whaaaaa?

I guess it’s possible, during one of my Swampy Brain days, that I might have sprayed venom like a velociraptor if a human being invaded my space (which varies depending on the amount of Swamp).  Or muttered an F-word-laced answer to a direct question.  Or maybe just burst into tears.  It’s possible.

Gosh, I hope not.  I want people to ask after me—especially on those Everglades days.  When my hold on Reality is shakiest, I need to know people haven’t written me off or (horrors!) forgotten about me.  Kindness makes me cry, but I hope that isn’t a deterrent.

Come to think of it, inquiring directly about my state of mind could get pretty messy what with all the spittle, and weepage, and colorful expletives.  It might take someone with a HAZMAT suit and no sense of propriety.

I can live with second-hand concern.  I’m still touched by it.  And I apologize if a squirting, prehistoric potty-mouth responded to anyone’s approach.  I hope they try again.  I’ll use my words next time.

Soothing The Troubles

Haven2I’m finishing up a Haven marathon.  If you’re not familiar with this SyFy Channel show that got cancelled last year, think Stephen King (it’s based on one of his stories) when he’s not at his best.  Hokey, repetitive and, at times, incomprehensible, but with enough great characters and moments of genius dialog to keep my attention.  Gloria, the smart-ass coroner, is worth it all by herself.  And Dwight, the Chief of Police, isn’t hard to look at either (This GIF is from an episode where they switched bodies—one of my faves).

Dwight & Gloria

The folks in Haven, Maine have Troubles—like attracting bullets, or talking to the dead, or blowing up anything they touch.  I always liked that understated description for the load of misery the townsfolk suffer.  Troubles.  I’ve unofficially adopted it this summer.  As in “my Trouble is flaring up.”

Which it did today.  I got a naggy, creepy-crawly feeling that something bad was about to happen, sort of a Stephen King version of anxiety.  Everyone looked suspicious and a little dangerous.  And I was worried about screwing up my art projects.

However, I finished a couple of things without unfixable mishaps.  I put together my first art journal in over a decade.  Even though the memory of making those first ones got lost in the ECT void, I kept the written instructions and assembled all the ingredients over the past couple of weeks.  I watched the Dark Fret try to stop me from finishing today, but pushed on.  Somehow, it helped to have this new journal done.  I did it.  While Troubled.

IMG_0771

Front Cover

IMG_0774

Back Cover

 

 

 

 

 

 

 

 

 

I also finished a new piece for my front door.  The text comes from Stephen Dunn’s poem, Reversal, which I loved so much I posted it a few days back.

IMG_0780

I worked on this for weeks, waiting after each coat of paint or bit of grunge to see what would arise.  Working with matte medium and fabric for the first time, I panicked over the result, then took sand paper to it and loved the effect. Yesterday I tore apart an old alarm clock for the gears.  Today, I finished it with gloss medium and hated it.  My Trouble screamed, “Ruination!”

The negativity and fear my Trouble conjures up slips into my body like an old, familiar song.  But, practice helps me turn down the volume and remember there are no mistakes—just unexpected detours.  Art work, fiction, life may not turn out the way I envision them, but they turn out.  Most of the time, those detours are the best part of my day.  Troubled or not.

Second Helpings of Joy

Joy DietI’ve been reading Martha Beck’s The Joy Diet, a self-help/Life Coachy recipe for uncovering and going after your Heart’s Desire.  If you haven’t been in therapy for decades, and feel like there’s something missing or off in your life, this would be a decent place to start.

I started therapy when Ronald Reagan was President, so none of the material is new to me.  Still, I like hearing things presented in a new way, especially when the author has heart and a sense of humor.

Take her chapter on Treats.  These are the things/experiences we’re to reward ourselves for taking a risk toward that Heart’s Desire.  Very Pavlovian.  But Beck also wants her readers to give themselves at least two other Treats a day, just because folks generally don’t do that enough.  I liked that.

And Beck’s definition of “Treat?”  Anything that makes you feel like smiling.  Since most of us are programmed to grimace automatically in public, she gives homework to help the chronically repressed find what actually warms their cockles.  I like how she takes her readers by the hand, breaks each step to Nirvana into tiny, measurable actions instead of leaving them stranded in nebulous Woo-Woo Land.  And I like how she compares us to pigs.

So some of these ideas percolated in my hind-brain as I played with my art journal this weekend.  I worked on a cross-over spread, taking characters from a short story I’m writing and doing cool things with letters they’re writing to each other.  I adapted a Dixie Chicks song that I love and made it my character’s.  I treated pages from an antique, hand-written journal to use as their stationary.  It thrilled me to come at these characters and their story from a different angle, and to make something so gorgeous.

Claire&Richard BeforeBut, when I tried to write my new lyrics on this scrumptious paper, no marker or pen I owned made a consistent mark.  I worked for hours, going over the blotchy, ragged letters again and again.  It still ended up looking like a serial killer’s tease for the FBI.

I stopped when my hand cramped too much to hold a pen, and I was willing to let it go.  Some experiments don’t work.  That’s why they’re called experiments.

But as Henry walked across my shins in bed this morning, I got one of those lightbulb ideas.  The problem wasn’t with my pens, it was the paper.  I’d made it too slick.  How could I give it a little bite?

Clarie&Richard RedoI jumped out of bed and went to work, mixing matte medium with a few drops of gesso, adding paint, then taking fresh pages out of the hand-written journal and applying this concoction with a roller and paper towels.  I tested one corner with a gel pen before spraying the pages with fixative.  It took the pen beautifully.

The whole process filled me with joy.  Setting a problem aside, receiving the answer as I passed through the Creative Gold Mine between sleep and wakefulness, using media I didn’t own two months ago, and actually creating a thing the way I imagined it in my head.

Claire & Richard

When I finished the spread, I couldn’t stop grinning.  Here was everything I loved—my writing, my art, my music, Richard Armitage. . .  Layers of meaning overlapped like the layers of paper (I love a metaphor you can actually touch), and color fed some hungry animal inside me.

Probably a pig.

My Brain Hurts!

“What ‘real artists’ have is courage.  Not enormous gobs of it.  Just enough for today.  Creativity, like breathing, always comes down to the question, “Are you doing it now?”  The awful truth is that there is always one small creative act for which we can find the courage.  As with housework, there is always something, and all the little somethings add up, over time, to a flow.  Courage, after all is a matter of heart, and hearts do their work one beat at a time.” — Julia Cameron in The Vein of Gold: A Journey to Your Creative Heart

Blogging is so incestuous.  I read David Kanigan’s post from Monday, and knew I had something to say about courage, comfort zones and whacking the scales off our sclerotic dendrites.  At least I thought I did.  Or I wanted to think about those things.  Or my ego wanted to jump up and down screaming about them.  In public.

Monster

I feel pretty brave.  Except when I don’t.  Driving out to Artfest in Washington this spring didn’t feel particularly brave.  Except when I got home and spent the next two months rapid cycling and ducking from my brain’s suicidal dodge balls.  Latching onto art journaling to keep from getting hammered by red rubber didn’t seem brave, just a case of self defense.  It never occurred to me that drawing and painting when I used to be too scared to do either might be stripping some of the plaque off my craft.

What really felt brave was buying The Hollow Crown and sitting down to over eight hours of Shakespeare.  It’s been a long time since I’ve felt so dumb.  I listened to the pretty words, knew they were an old form of English, but couldn’t translate them.  I could feel my brain straining, flabby gray-matter-muscles forced to climb a junior high fitness test rope.

Oh, but, the music of the language!  That was the liniment for my bruised brain.  Plus, Great Performances emptied out The Royal Shakespearian Theater to cast these four plays, so all the British actors I adore speak this unintelligible music.

Whose Superpower is Britishness

I take comfort that I’ve never read Richard II, Henry IV (either Part One or Part Two) or Henry V.  I have no bits of them embedded in my hind brain next to the passages of Romeo and Juliet Mrs. Christensen made us memorize in ninth grade.

And, yet, it feels brave to be dumb, to be a Monty Python Gumby shouting, “My brain hurts!”

Sometimes, being brave means finding the right anesthesia.  Sometimes it’s embracing my full-out Gumby-ness.  Either way, my art benefits.

And now for something completely different.

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